Brass Pony: Two Novellas           Two novellas by   Marsh Cassady

Click to read First Chapter previews of each novella:
           
           To Ride a Wild Pony Sounding Brass

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Reviewers' Comments:                                        

Brass Pony: Two Novellas
Author: .Marsh Cassady
Recommended

Novella 1, To Ride a Wild Pony, tells the tale of 55 year old artist Dennis Thompson and his long time partner, college professor Menolaus Aradopolos. The pair have lived together in LaJolla, California for some thirty years. During this time they have raised Men's son Boris from a brief marriage during a jaunt to Europe, grown comfortable with one another and faced many of the problems inherent in any long term relationship. Neither is prepared for the toll aging will take upon the health of either. Men's heart attack has caught them short and the pair, and Boris and his family are now going to have to deal with this reality.
     Writer Cassady has admirable credentials as a writer. This particular work, Brass Pony: Two Novellas is a bit of a breakthrough for him as he, in the first novella, To Ride a Wild Pony, delves into the aging process and how it affects familial relationships. In this poignant work, Cassady presents us with well developed characters who are so amicable and fiduciary it is hard to comprehend they are only the product of the fertile mind of the writer. Any of us who are in a long term relationship can see our own dilemma as Denny and Men seek to find answers and hope for tomorrow where there well may be none. Excellent Read

Cassady's second offering, Sounding Brass, presents young 12 year old Martin O'Jenkins on his journey as a young homosexual during the 1940s when the lad had no notion that homosexuality even existed. The lad knows only that living with his demanding parents is inadequate at best, as he struggles to understand why or how the mysterious feelings he has toward men in his life is affecting him. The novella is broken into 6 small chapters. Martin is first presented as a pre-teen in June 1948. The work backtracks to 1940 to introduce John O'Shaunessy, a troubled young man who is never quite able to deal with the fact that his parish priest and his mother are involved in a sexual affair. Police office Sam Holden and Claude Frazier, partners who live together as ‘roommates' come to have influence upon the O'Jenkin household. This was the San Joaquin Valley during the late 1940s and early 50s.
     The word gay had not yet begun to be used to designate those men who prefer the company of their own sex, nor was any tolerance for homosexual relationships to be found within the thinking of most of the populace. O'Shaunessy's stint in the military ends in a POW camp, Martin is befriended by Sam and Claude as they try to help the confused youngster deal with his parents demands and lack of parental caring.
     I found Sounding Brass to be harder to read than To Ride a Wild Pony. Transitions from chapter to chapter tended to be confusing on the first read. The first chapter, Learning About Sex, ends with Martin sitting on his uncle's front porch. Chapter two begins with Sam, the police officer, a brand new character with no prior mention, facing a dangerous situation. Each chapter ended as abruptly as the next began with a different time, place or character. However, as quickly as I realized what writer Cassady was doing I went back, began again and found the technique works well once you know this is how it is supposed to be.
     Sounding Brass left me with a very different feeling, one almost of despair, as I came to end of the work, whereas To Ride a Wild Pony left me feeling both life and death, health and illness, are only bumps in our relationship when we care deeply for those in our family. The characters found in Sounding Brass are every bit as human and plausible as those found in the first novella. The writing is vibrant, filled with rich expression and detail.
     --- Molly Martin, Reviewer

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Novella Duet Is Mixed Pleasure

Reviewed by Elizabeth K. Burton

The Brass Pony is a duet of novellas that, each in its own way, is a coming-of-age tale.
     Ride A Wild Pony, the first work, explores a middle-aged gay man's emotional upheaval after his partner and sole source of support for 35 years suffers a near-fatal heart attack. The illness forces him to confront the unassailable fact that he has never taken a chance that might threaten his security, but that this choice has also prevented him from learning what he is capable of.
     Within the limits of the story's length, Dennis Thompson's struggle to find his own sense of inner worth and accomplishment rings with inarguable veracity. The main characters -- Dennis and his partner, Men -- are vivid and excellently defined, and the all-too-human dichotomy of their feelings for each other is handled deftly. Dennis's struggle as he comes to grips with Men's mortality and the prospect of having to provide for himself for what would really be the first time in his life is presented with insight and understanding.
     However, those length limits lead directly to the novella's one drawback, which is that far too much back-story is supplied in dialogue, which unsurprisingly makes that dialogue seem awkward and unnatural. Given Mr. Cassady's unquestioned writing ability, it is unfortunate he didn't expand this story into full novel length and allow himself more leisure to explore his characters.
     Despite its minor flaws, however, Ride A Wild Pony is by far the better of the two offerings. The second,  Sounding Brass, attempts to tell the story of a young gay man coming to terms with his life and his sexuality during the late 1950's and early 1960's in western Pennsylvania. Unfortunately, Mr. Cassady tries to cram too many issues into the space provided, so that the action leaps back and forth among too many characters and too many time frames. This is unfortunate, because Sounding Brass is a potentially fascinating story that never quite comes to fruition. Martin, the young protagonist, is a victim of child abuse in a decade when such abuse was accepted as "discipline," and its victims had nowhere to look for help. Keeping the novella more focused on his struggle not only to understand and accept his sexuality but to find some sense of self-worth would have resulted in a far more powerful and compelling story.

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